Open Critique
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General
Course Long Title
Open Critique
Subject Code
AART
Course Number
500A
School(s)
Academic Level
GR - Graduate
Description
Open to Art School only. This course
may be open to students at other year levels, and
in other Schools, by Permission of Instructor.
Open Critique is a venue for students to examine
their work critically in the context of a peer
dialogue guided by the instructor. In order for
students to take advantage of the diversity of
approaches offered by our regular and visiting
faculty, this course is designed to be taught by
various instructors in each semester and multiple
sections may be offered in the same semester.
Please refer to course descriptions by each
section instructor which specify how the
individual critique sessions will be structured.
This course will push the work of the serious
artist with thorough, rigorous critique. The
intention of each student will be the beginning
point from which we, as a group, will investigate
and interrogate the results of works both
in-progress and newly completed. Contemporary
discourse will revolve around the interplay of
ideas and the materials from which they are
realized. In a world where any material can be
considered as a source for artistic production,
this course will place special emphasis on why
particular materials are chosen, their histories
and inherent meanings, how they are manipulated,
and their successes or failures in conveying the
intention of the maker. Beyond intention, we will
also leave room to examine and discuss the
importance of how the "unexpected" or
"accidental" plays into artistic production and
the development of new ideas. Participation and
attendance from everyone is mandatory. Two to
three students will present their work each week.
may be open to students at other year levels, and
in other Schools, by Permission of Instructor.
Open Critique is a venue for students to examine
their work critically in the context of a peer
dialogue guided by the instructor. In order for
students to take advantage of the diversity of
approaches offered by our regular and visiting
faculty, this course is designed to be taught by
various instructors in each semester and multiple
sections may be offered in the same semester.
Please refer to course descriptions by each
section instructor which specify how the
individual critique sessions will be structured.
This course will push the work of the serious
artist with thorough, rigorous critique. The
intention of each student will be the beginning
point from which we, as a group, will investigate
and interrogate the results of works both
in-progress and newly completed. Contemporary
discourse will revolve around the interplay of
ideas and the materials from which they are
realized. In a world where any material can be
considered as a source for artistic production,
this course will place special emphasis on why
particular materials are chosen, their histories
and inherent meanings, how they are manipulated,
and their successes or failures in conveying the
intention of the maker. Beyond intention, we will
also leave room to examine and discuss the
importance of how the "unexpected" or
"accidental" plays into artistic production and
the development of new ideas. Participation and
attendance from everyone is mandatory. Two to
three students will present their work each week.
Registration Restrictions
RGART - Art School Only