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MJZP.BFA - Bachelor of Fine Arts - Jazz Performance
General
Program Title
School
Degree
Program Level
CIP Code (National ID)
Requirements
Jazz Performance (BFA)
BFA Shared Curriculum Requirements BFA Shared Curriculum Requirements
All undergraduate music students must complete the BFA Shared Curriculum requirements. This curriculum is intended to foster the development of skills in the essential areas of music cultures and literature, music theory and practice, performance experiences, making original work, new methods and technologies, professional development, and breadth of experience in the arts. Courses completed to meet Shared Curriculum requirements can also be used to meet Specialization Requirements.
Shared Curriculum: Summary Listing of Requirements
MUSIC CULTURES & LITERATURE
MAIC100 Worlds of Music I: Europe & N. Am. 1900-
MAIC101 Worlds of Music II: Africa, Asia, L. Am.
MUSICAL SKILLS & TECHNIQUES
MPRF103 Class Piano (or other approved keyboard course)
MTHY101 Practical Musicianship A
MTHY102 Practical Musicianship B
MTHY203 Practical Musicianship C (not required for the Music Technology Specialization)
MTHY111 Tonal Theory & Applications A
MTHY112 Tonal Theory & Applications B (not required for the Music Technology Specialization)
MTHY210 Non-Tonal Theories or MTHY216 Different Tonalities
ONE unit (minimum) of coursework chosen from:
MTHY220 Global Rhythm & Notation
MTHY222 North Indian Music Theory
MTHY228 Journey to the Persian Music
MTHY226 Ghanaian Rhythm Theory
MTHY224 Java/Bali: Music-Dance-Theory
MTHY425 Tala Systems
PERFORMANCE AND PRODUCTION EXPERIENCES
ONE course chosen from:
MTEC100 Intro to Concert Production (BFA2 year)
MTEC101 Concert Production I
MBLExxx TWO World Music Ensemble electives (see listing below)
MBLExxx TWO additional ensemble courses
NEW METHODS & TECHNOLOGIES
TWO units of coursework chosen from:
ICOM101 Media & Web Development
ICOM111 Intro to Sound Production
ICOM120 Introduction to Programming I
ICOM121 Introduction to Programming II
ICOM301 Digital Fabrication
MSCM150 Fundamentals of Computer Music
MSCM310 Acoustics for Musicians
PROFESSIONAL DEVELOPMENT
TWO units of coursework chosen from:
AAIC323 Practice & Pedagogy: ArtPilot
CSOC300 Artist As Educator
ICOM101 Media & Web Development
MAIC403 Teaching Artistry
IINT398 Internship in Music
MPCD350 Career Designs for Musicians
MPCD351 Creative Producing for Music
MPCD420 Teaching the Voice
MPCD460 Creative Entrepreneurship
Other professional development coursework as approved
MCMP290 Portfolio Review (in Spring semesters, 4 classes)
BREADTH IN THE ARTS
MFOR110 First-Year Seminar in Music
MFOR200 Artists in Residence Week (4 classes)
Winter Session (FOUR units of coursework completed in January)
FOUR units of coursework in Art, Dance, Film/Video, Theater, Creative Writing, or Digital Arts
Shared Curriculum: World Music Ensemble Options
The following listing of world music ensemble electives is provided for ease of reference.
MBLE104 Tabla Ensemble
MBLE109 Advanced World Percussion Ensemble
MBLE201 Beginning African Ensemble
MBLE202 Advanced African Ensemble
MBLE206 Talking Drum Ensemble
MBLE216 Advanced Talking Drum Ensemble
MBLE210 Beginning Javanese Gamelan
MBLE211 Advanced Javanese Gamelan
MBLE220 Beginning Balinese Gamelan
MBLE221 Advanced Balinese Gamelan
MBLE222 Gender Wayang Ensemble
MBLE223 Balinese Flute Ensemble
MBLE224 Kecak Ensemble
MBLE230 North Indian Ensemble
MBLE240 Persia Electric Ensemble
MPRF221 African Song
MPRF328 Latin Percussion
MBLE250 African Dance
MBLE252 Balinese Dance
MBLE254 Javanese Dance (Women)
MBLE256 Javanese Dance (Men)
MBLE260 The Baltic Voice
MPRF328 Latin Percussion
MTHY120 Beginning Svar Graam (Vocal)
MTHY121 Beginning Svar Graam (Instrumental)
MTHY322 Advanced Svar Graam (Vocal)
MTHY323 Advanced Svar Graam (Instrumental)
Jazz Performance (BFA)
Complete SHARED CURRICULUM (see above)
MLSN101 Hour Lesson as assigned (each semester)
MFOR107 Jazz Forum (3 classes)
MTHY240 Jazz Keyboard Theory
MTHY108 Transcription Skills
MBLE201 Beginning African Ensemble
MPRF101 or MPRF102 Undergraduate Jazz Improvisation (1 course)
MPRF203 Harmonic Improvisation
ONE class chosen from:
MCMP310 Jazz Composition
MCMP314 Jazz Arranging
MAIC240 Jazz History
FOUR units of coursework chosen from:
MAIC314 The Music of Flamenco
MAIC316 Blues before 1960
MAIC401 Improvisation: Uses and Lineage
MHST30x Music Cultures
MHST312 Ethnology of African Music
MHST350 Stylists & Innovators 1961–Now
MHST371 Jazz and Urban Experimentalism
MBLE117 Jazz Student Ensemble (8 classes)
MBLE118 Jazz Faculty Ensemble (8 classes)
MPRF490 Graduation Recital
Electives (to fulfill 120-unit degree requirement)
Shared Curriculum: A Typical Course Sequence Semester-by-Semester
There may be some variability as to when Shared Curriculum courses are taken depending on the individual student’s placement, experience and development. However, certain strict deadlines do apply (see Music Theory and Skills Deadlines below).
First Year First Semester (BFA1-1)
MTHY101 Practical Musicianship A
MTHY111 Tonal Theory & Applications A
MAIC100 Worlds of Music I: Europe & N. Am. 1900-
MPRF103 Class Piano Second Semester
(BFA1-2)
MTHY102 Practical Musicianship B
MTHY112 Tonal Theory & Applications B
MAIC101 Worlds of Music II: Africa, Asia, L. Am.
Second Year First Semester (BFA2-1)
MTHY203 Practical Musicianship C
MTHY210 Non-Tonal Theories M… World Music Ensemble elective (see the list of ensemble electives above)
Second Semester (BFA2-2)
MTHY204 Practical Musicianship D (if required)
MTHYxxx World Music Theory course
MTEC100 (or MTEC101 for Music Tech majors) Intro to Concert Production M… World Music Ensemble elective (see the list of ensemble electives above)
Third Year First Semester (BFA3-1)
course in Making Original Work (see course listing above)
course in New Methods & Technologies (see course listing above)
course in Art, Dance, Film/Video, Theater, Creative Writing, or Digital Arts (IDAR) NOT taught by any Music faculty member
MBLExxx Ensemble elective
Second Semester (BFA3-2)
course in Professional Development (see course listing above)
course in New Methods & Technologies (see course listing above)
course in Art, Dance, Film/Video, Theater, Creative Writing, or Digital Arts (IDAR) NOT taught by any Music faculty member
MBLExxx Ensemble elective
Fourth Year First Semester (BFA4-1)
course in Professional Development (see course listing above)
course in an artistic métier outside the School of Music (not taught by music faculty)
Second Semester (BFA4-2)
course in an artistic métier outside the School of Music (not taught by music faculty)
Music Theory and Skills Deadlines (DOs and DON’Ts)
⇒ DO finish Music Theory and Skills requirements on time
MTHY001 (Fundamental Musicianship), if required, must be completed by the end of the first year of residence in order to maintain eligibility to continue as a student in The Herb Alpert School of Music.
MTHY111 & MTHY112 (Tonal Theory & Applications A & B), and MTHY101 & MTHY102 (Practical Musicianship A & B) must all be completed by the end of the second year in residence, if required.
MTHY210 (Non-Tonal Theories) and MTHY203 & MTHY204 (Practical Musicianship C & D), if required, must all be completed by the end of the third year in residence.
⇒ DON’T take a vacation from Music Theory and Skills requirements
All undergraduate students must take and pass Shared Curriculum theory courses each semester until all required courses in the music theory sequence MTHY001, MTHY111, MTHY112, MTHY210 are completed. (See Individual Specialization Descriptions below for requirements by specialization.)
All undergraduate students must take and pass tonal musicianship skills courses each semester until all required courses in the Practical Musicianship sequence MTHY001, MTHY101, MTHY102, MTHY203, MTHY204 are completed. (See the descriptions of BFA Music Specializations below for requirements.)
⇒ DO fulfill Music Theory and Skills Incomplete grades on time
In any course that constitutes a prerequisite for another required course in the Music Theory or Skills curriculum, an Incomplete (I) grade must be made up before the student will be allowed to enroll in the next course in the sequence. Instructors are not obliged to permit enrollment in music theory or skills courses after classes begin, so Incomplete grades should be made up before the date on which the following semester's regular classes commence.
FAILURE TO FULFILL MUSIC THEORY AND SKILLS REQUIREMENTS ACCORDING TO THESE STIPULATIONS MAY RESULT IN ACADEMIC WARNING, INELIGIBILITY TO ADVANCE IN YEAR LEVEL, LOSS OF FINANCIAL AID, AND POSSIBLE DISMISSAL FROM THE SCHOOL OF MUSIC (see CalArts’ Metier Standing Policy).